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Turbo
Recordings...I
don't know much about Duke Dumont. In fact I know nothing,
and that's just the way I like it.
See the big problem with having a record label is having
to deal with the "ARTISTS". Usually these guys are just dorks
who sit at home and spend all their time making music, three-armed
pale cyber-weirdos whose idea of a good time is getting new skins
for their plug in reverbs so they can make their virtual rack look
all "alien". Even worse.... sometimes you get guys who
have "ideas" of their own....things like "can we
approve artwork?" or "can I write my own bio?" or
the incredibly predictable "can I see a statement?".
I got so fed up of these money-hungry, megolomaniacal dweebs that
in late 2005 I decided to take Turbo Recordings to revolutionary
new heights of record label administration... and I laid out The
Rules:
1-I don't want to know anything about you (the Artist)...EXCEPT:
a) your height (I do NOT sign Dwarves or Mini-Men)
b) your sex...sorry ladies, but trust me sweethearts, Techno
is a tough world that requires tough Man-Strength.
c) Haircolor/hairtexture: corn-rows need not apply... and the
same goes for albinos.
d) ambition level: if you care so much about "money" how
about getting a job at a bank, or being a gardener....Turbo has a strict NO
Advance, No Royalties, No Statement , No Problems policy. We find that confusing
the artist with financial matters only results in growing confidence, artistic
independence and an impure heart.
2-I write everything, if I say your an Ultra-right wing Paraguayan
with extreme body-odor...you’re just gonna have to trust
me.
3-If I make my own record, yours will be bumped to allow room
in the release schedule. In fact, if I make my own record, I might
even deliberately "re-edit" your record to make it worse
to make mine sound better. Again...trust me, I been in this business
since 92.
So, with the above in mind... I got the Duke Dumont demo a while
back. I had already been impressed by his remix on Wall Of Sound...
I loved it. I also heard he won some REMIX competition. Like a
Grammy, only not a Grammy. The tracks he sent were amazing... so
I sent him our standard application form. Once he waived his copyrights,
signed off on all legal rights, and paid the obligatory 175$CDN
in administration fees, we moved on to the "personal information
section": he JUST made the minimum height cut-off, his hair,
while being orange (no bonus) was NOT corn-rowed. While I argued
vigorously that I had worked too long and hard building up Turbo
to see it go all "Ginger"... Von Party defended the Duke,
saying it might show how open-minded we are. When I re-listened
to the tracks I decided that it was well worth the risk.
So.... What you now hold in your hand is the debut on Turbo of
DUKE DUMONT: the mysterious bad ass from the wrong-side of the
Tube, the hardboiled London underground pioneer who once had to
EAT a sampler to survive, the future of dance music, and the PAST
of the future of dance music. |